Mounting the company premiere of Rossini’s “Armida” at the Metropolitan Opera this season would almost seem to be an act of defiance. It’s an opera that calls for six tenors — when even one Met-worthy ...

It takes six tenors and one phenomenal soprano to perform Gioachino Rossini’s “Armida,” which helps explain why the Metropolitan Opera didn’t get around to mounting this glorious work for 193 years.

The final high-definition broadcast from the Metropolitan Opera this season is "Armida" by Gioacchino Rossini. The Saturday performance begins at noon at the Town Plaza Cinema in Cape Girardeau. All ...

"We are staging this highly challenging opera expressly for Renée Fleming, who has the extraordinarily rare artistic qualities - both vocally and dramatically - to meet the requirements of such a ...

Last Saturday I returned from my early errands to find a mid-morning message on the phone from my uncle, who by happy coincidence also lives in Ithaca, New York a few miles from my house.: “Lump Lump, ...

A recurring phrase in Rossini’s Armida, about a sorceress and her ill-fated love for a Christian soldier during the Crusades, A recurring phrase in Rossini’s Armida, about a sorceress and her ...

NEW YORKNEW YORK — It took 193 years for Rossini’s “Armida” to make it to the Metropolitan Opera but only nine months for its first revival. Soprano Renee Fleming and five of the six tenors who sang ...

Giovanni Battista Tiepolo – Rinaldo ed il mago di Ascalona – Art Institute of Chicago. Public domain. In this week’s Opera Cheat Sheet, Houston Public Media’s St.John Flynn and Eric Skelly give their ...

It is standard operating procedure for a world-class opera company like the Metropolitan Opera to mount a sumptuous new production to showcase a world-class diva. Therefore, it's no surprise that this ...

Performances in N.Y.C. Advertisement Supported by Music Review By Anthony Tommasini Renée Fleming has always made very particular and personal choices of operatic roles. Over the years, the managers ...