This is an archived article and the information in the article may be outdated. Please look at the time stamp on the story to see when it was last updated. Most people know Robert Sean Leonard from ...

Get a first look at Susan V. Booth’s major revival of Harold Pinter’s Nobel Prize-winning drama Betrayal. The trio at its heart are portrayed by Oscar, Emmy and Golden Globe Award winner Helen Hunt as ...

Oscar-winning actress Helen Hunt is center stage at the Goodman Theatre in the classic 1978 Harold Pinter play "Betrayal." Hunt plays Emma in a story examining the end of her marriage to her husband, ...

Goodman Theatre’s twice-extended “Betrayal” is one hot ticket. No surprise there considering its cast: Oscar- and Emmy Award-winner Helen Hunt (“As Good As It Gets,” “Mad About You”), Tony ...

Watch this a scene from the Goodman Theatre's starry revival of BETRAYAL, featuring Ian Barford (ROBERT) and Robert Sean Leonard (JERRY). Joining them in the production is Oscar, Emmy and Golden Globe ...

The acclaimed actors are talking about stirring up the stage at the Goodman Theatre with this Harold Pinter classic. Leonard has achieved screen success and is also a Tony winner. "I'll do a job if it ...

In the last scene of Harold Pinter’s “Betrayal,” a masterful 1978 play that charts an extramarital affair in reverse chronology, a woman named Emma is successfully seduced upstairs at a party in her ...

Told in reverse chronological order, BETRAYAL traces an extramarital affair from its bittersweet ending to its unexpected commencement nine years earlier. At the play’s opening, Emma (Helen Hunt) ...

Tony Award winner Robert Sean Leonard and Paten Hughes will star in the World Premiere of a new stage adaptation of Interview, a seductive 2-handed psychological thriller about truth, persona, and ...

Emma, Robert and Jerry have history. As her marriage to Robert comes to an end, Emma reconnects with Jerry, her former lover—and her husband's Best Friend—as the action unspools backward in time in an ...

There’s a reason that screen-to-stage adaptations can be hard to get right. Squeezing the expansive freedom of film into the confines of a live performance is a big ask. Even more so when the story is ...