ComicBookCanon's meta-analysis shows that Maus has been declared the "Best" or "Greatest" or "Most Important" comic more than ...

When it came to publishing the first issue of The New Yorker in 1925, the editor-in-chief Harold Ross had a problem: it was coverless and none of the artist submissions quite hit the mark. He was ...

Four editors, a creative director and a visual artist met to debate and discuss the best of print media — and its enduring legacy. By Kurt Soller, Liz Brown, Jason Chen, James Draney, Miguel Morales, ...

Presented in partnership with the Tallahassee Jewish Federation, “Art Spiegelman: Disaster Is My Muse” is a documentary which offers an intimate, funny, and resilient look at the life and creative ...

From the first spread of Art Spiegelman’s graphic memoir “Maus,” one can already glean his signature mix of the autobiographical, the fictional and the poetic. “It was summer, I remember I was ten or ...

“Art Spiegelman is one of the most important cartoonists in the world working today. He tackled a subject that was enormous, and he established the medium as a serious literary form.” A portion of the ...

Discover Spiegelman’s career and how his life story inspired his groundbreaking work, even in the face of looming censorship, in AMERICAN MASTERS "Art Spiegelman: Disaster is My Muse." Featuring ...

As one of the most influential cartoonists and editors of his generation, Art Spiegelman played a pivotal role in elevating comics into a respected literary and artistic medium. “Art Spiegelman is the ...

During a segment shown early in “Art Spiegelman: Disaster Is My Muse,” an interviewer submits that the three most resonant works of art rooted in the Holocaust have been Primo Levi’s “If This Is a Man ...